ࡱ>  2bjbjҥҥ >__?3x x     8W4\8Єv9   ΁.0(0(0(6  0(0(0(.uuy[2"My@<8y@T#nyy& y0(%n8x Y : Jenny Anger Professor of Art History (o) 641-269-4293 Department of Art and Art History (f) 641-269-4420 51app College anger@grinnell.edu 51app, IA 50112-0806 29 August 2024 Curriculum Vitae Positions Held 2015-present Professor of Art History, 51app College (Chair 2015-23) 2003-2015 Associate Professor of Art and Art History, 51app College (Chair 2004-06, 2014-15) Assistant Professor of Art and Art History, 51app College 1990-93 Editorial Assistant (1990-91) and Assistant Editor (1991-93), differences: A Journal of Feminist Cultural Studies Teaching Assistant, Brown University and Rhode Island School of Design Education Ph.D. 1997 History of Art and Architecture, Brown University Dissertation: Modernism and the Gendering of Paul Klee M.A. 1988 History of Art and Architecture, Brown University Thesis: Music as Defense in the Aesthetics of Clive Bell and Roger Fry B.A. 1986 Art History and German, University of Southern California summa cum laude Books Ed. Surrealist Women Artists and Mental Illness. Manchester: University of Manchester Press, forthcoming 2025. Four Metaphors of Modernism: From Der Sturm to the Socit Anonyme. Minneapolis: University of Minnesota Press, 2018. Reviews: Koss, Max.  HYPERLINK "http://www.caareviews.org/reviews/3633" \l ".XiYKQlNKgWo" caareviews.org. 17 January 2020. Zhao, Yelin. Visual Studies 35, no. 1 (2020): 95-96. Paul Klee and the Decorative in Modern Art. Cambridge: Cambridge University Press, 2004. Reviews: Auther, Elissa.  HYPERLINK "http://www.caareviews.org/reviews/819" \l ".XiYLilNKgWo" caareviews.org. 8 March 2006. Deshmukh, Marion F. German Studies Review 29, no. 1 (2006): 192-93. Maldonaldo, Guitemie. Les cahiers du Muse national dart moderne 90 (winter 2004- 05): 115-16. Osmond, Jonathan. Art Book 12, no. 1 (February 2005): 31. Rhodes, Colin. Burlington Magazine 147 (February 2005): 125-26. Other Publications Sonja Sekula. 150 Stories Celebrating the Art Students League in New York. New York: Art Students League, forthcoming 2025. Marthe Donas between Der Sturm and the Socit Anonyme. Yale University Art Gallery Bulletin (2021): 38-45. Sonja Sekula and Art of the Mentally Ill. American Art 35, no. 1 (2021): 94-113. Midcentury Multiplicity. In A Future We Begin to Feel: Women Artists 1921-1971, edited by Emma Wippermann, 20-25. New York: Rosenberg and Co., 2021. Henryk Berlewi, Mechano-Facture, 1924. In Engineer, Agitator, Constructor: The Artist Reinvented, 1918-1939: The Merrill C. Berman Collection, edited by Jodi Hauptman and Adrian Sudhalter, 146-51. New York: Museum of Modern Art, 2020. Routledge Encyclopedia of Modernism, s.v. Socit Anonyme; Der Sturm; Walden, Herwarth. London: Routledge, 2016-20.  HYPERLINK "https://www.rem.routledge.com/" online Meeting on a Bridge: An Approach to Klee and Japan. Zwitscher-Maschine: Journal on Paul Klee / Zeitschrift fr internationale Klee-Studien 5 (2018): 104-13.  HYPERLINK "https://www.zwitscher-maschine.org/klee-and-japan" online Hubert Damisch. In A Generous Vision II: Samuel H. Kress Professors, 1996-2016, edited by Therese OMalley and the Center for the Advanced Study of the Visual Arts, 18-21. Washington: National Gallery of Art, 2016. The Translucent (Not: Transparent) Gesamtglaswerk. In The Total Work of Art: Foundations, Articulations, and Inspirations, edited by David Imhoof, Margaret Eleanor Menninger, and Anthony J. Steinhoff, 157-82. New York: Berghahn Books, 2016. Grappling with the Grotesque. Review of Frances Connelly, The Grotesque in Western Art and Culture: The Image at Play (Cambridge: Cambridge University Press, 2012). Journal of Art Historiography 13 (December 2015): 1-12.  HYPERLINK "https://arthistoriography.files.wordpress.com/2015/11/anger-review.pdf" online Alfred Dblins Gesprche mit Kalypso. ber die Musik als Modell der Modernen Kunst [Alfred Dblins Conversations with Calypso: On Music as model for modern art]. In Der Sturm Literatur, Musik, Lyrik und die Vernetzung in der Zeit des Expressionismus, edited by Henriette Herwig and Andrea von Huelsen-Esch, 229-45. Berlin: de Gruyter, 2015. [German original] Der Sturm, the Socit Anonyme, and Modern Art in America. In Der Sturm. Zentrum der Avant- Garde, Vol. 2, Aufstze, edited by Andrea von Huelsen-Esch and Gerhard Finckh, 543-70. Exh. cat.: Von der Heydt-Museum, Wuppertal, 2012. Review of Elissa Auther, String, Felt, Thread: The Hierarchy of Art and Craft in American Art (Minneapolis: Minnesota University Press, 2010).  HYPERLINK "http://www.caareviews.org/reviews/1551" \l ".XiYUpi2ZMWp" caareviews.org 9 December 2010. Ed. Repeat, Reveal, React: Identities in Flux, Selections from the 51app College Art Collection. Exh. cat.: Faulconer Gallery, 51app College, 51app, IA, 2010. Courbet, the Decorative, and the Canon: Rewriting and Rereading Meier-Graefes Modern Art. In Partisan Canons, edited by Anna Brzyski, 157-77. Durham, NC: Duke University Press, 2007. Anni Alberss Thank-You to Paul Klee. In Anni and Josef Albers: Latin American Journeys, edited by Brenda Danilowitz and Heinz Liesbrock, 158-63. Exh. cat.: Museo Nacional Centro de Arte Reina Sopha, Madrid; Josef Albers Museum Quadrat, Bottrop, Germany; Museo de Arte de Lima, Per; Antiguo Colegio de San Ildefonso, Mxico City; Museu Oscar Niemeyer, Curitiba, Brazil. Ostfildern, Germany: Hatje Cantz, 2007. [Translated into Spanish, German, and Portuguese editions] Paul Klee, Anni and Josef Albers, and Robert Rauschenberg: Weaving and the Grid at Black Mountain College. In Klee and America, edited by Josef Helfenstein, 238-53. Exh. cat.: Neue Galerie, New York; Phillips Collection, Washington; Menil Collection, Houston. Ostfildern, Germany: Hatje Cantz, 2006. Modernism at Home: The Private Gesamtkunstwerk. In The Feeling of Seeing: Modernism, Postmodernism, and Beyond, A Festschrift for Kermit Swiler Champa, edited by Deborah Johnson and David Ogawa, 211-43. New York: Peter Lang, 2005. Review of Debra Schafter, The Order of Ornament, The Structure of Style: Theoretical Foundations of Modern Art and Architecture (Cambridge: Cambridge University Press, 2003).  HYPERLINK "http://www.caareviews.org/reviews/577" \l ".XiYV4y2ZMWo" caareviews.org. 12 September 2003. Review of Peter Paret, German Encounters with Modernism, 1840-1945 (Cambridge: Cambridge University Press, 2001). German Quarterly 76, no. 2 (2003): 249-50. Paul Klee: Seeing the Other. In Pauru Kur Ten [Paul Klee and his travels], edited by Tadayasu Sakai and Saki Nagato, 209-15, 273-77. Exh. cat.: Museum of Modern Art, Kamakura; Iwate Museum of Art, Morioka;Mie Prefectural Art Museum,Tsu; and Matsumoto City Museum of Art, Japan. Nagoya-shi, Japan: Chknichi Shinbunsha, 2002. [English original plus Japanese translation by Saki Nagato] Ed. Walking a Tightrope: German Expressionist Printmaking 1904-1928. Exh. cat.: Faulconer Gallery, Grinnell College, Grinnell, IA, 2002. Review of Mark Cheetham, Kant, Art, and Art History: Moments of Discipline (Cambridge: Cambridge University Press, 2001).  HYPERLINK "http://www.caareviews.org/reviews/35" \l ".XiYWxi2ZMWo" caareviews.org. 21 November 2001. Der dekorative Klee [The decorative Klee]. In Paul Klee Kunst und Karriere. Beitrge des internationalen Symposiums in Bern, edited by Oskar Btschmann and Josef Helfenstein, 239-53. Schriften und Forschungen zu Paul Klee, 1. Bern: Stmpfli, 2000. [German original] Ed. Ghost Dance: Exhibiting Paradox Edward S. Curtis Photogravures. Exh. cat.: Print and Drawing Study Room, 51app College, 51app, IA, 2000. Klees Unterricht in der Webereiwerkstatt des Bauhauses [Klees teaching in the weaving workshop of the Bauhaus]. In Das Bauhaus webt: Die Textilwerkstatt am Bauhaus, ein Projekt der Bauhaus-Sammlungen in Weimar, Dessau, Berlin, edited by Magdalena Droste and Manfred Ludewig, 33-41. Exh. cat.: Bauhaus-Archiv: Museum fr Gestaltung, Berlin. Berlin: G+H, 1998. [German translation by Magdalena Droste] Forgotten Ties: The Suppression of the Decorative in German Art and Theory, 1900-1915. In Not at Home: The Suppression of Domesticity in Modern Art and Architecture, edited by Christopher Reed, 130-46. London: Thames and Hudson, 1996. How Many Klees Today? Revue dart canadienne/Canadian Art Review [RACAR] 18, nos. 1-2 (1991): 102-11. (with David A. Brenneman.) Music and the Aesthetic of Masculine Order, As Proposed by A. J. Eddy and W. H. Wright. In Over Here: Modernism, the First Exile, 1914-1919, edited by Kermit Swiler Champa, 78-89. Exh. cat.: Brown University and David Winton Bell Gallery, Providence, RI, 1989. The Rise of the Professional Architect. In Thomas Alexander Tefft: American Architecture in Transition, 1845-1860, edited by Kathleen Curran, 9-27. Exh. cat.: Brown University and David Winton Bell Gallery, Providence, RI, 1988. Major Public Lectures Feb. 2018 Invisible Merzbau, Dada Futures conference, University of Iowa (peer reviewed) Nov. 2017 Four Metaphors of Modernism: A Preview, Modernist Studies Group, University of Georgia (invited) Feb. 2017 The Exhibition of Modern Art in Berlin (1913): Using 3D Simulation to Explore the Past, European Studies Group, University of Iowa (invited) Nov. 2016 Exhibition as Modernist Medium: The Example of the First German Autumn Salon, Berlin 1913, Kennedy Family Visiting Lecture, University of South Florida (invited) Jun. 2016 Exhibition as Medium: The Erster Deutscher Herbstsalon, Berlin 1913, 5th biennial conference of the European Network for Avant-Garde and Modernism Studies (EAM), Rennes, France (peer reviewed) Jan. 2016 3D Visualization of Historic Exhibition in SketchUp: The Erster Deutscher Herbstsalon, Berlin 1913. With Rebekah Rennick and David Neville. 4CAST 2016: Bridging Art and Science: STEAM Education in a Digital World, University of Iowa (invited) Mar. 2015 Meier-Graefe und die Materialitt: Von der dekorativen Kunst bis Arnold Bcklin [Meier-Graefe and materiality: From decorative art to Arnold Bcklin], conference Julius Meier-GraefeGrenzgnger der Knste, Liebermann-Haus, Stiftung Brandenburger Tor, Berlin, Germany (invited; in German) Nov. 2013 Alfred Dblins Gesprche mit Kalypso. ber die Musik [Alfred Dblins Conversations with Calypso: On Music], symposium Der SturmLiteratur, Musik, Graphik und die Vernetzung in der Zeit des Expressionismus, Heinrich-Heine-Universitt, Dsseldorf, Germany (peer reviewed; in German) Feb. 2012 The Modern Gesamtkunstwerk, panel co-chair with Juliet Bellow, American University; College Art Association, Los Angeles (peer reviewed) Mar. 2008 Listening to Der Sturm in Berlin, symposium Towards a Synaesthetic Modernity, Wesleyan University (invited) Feb. 2007 Restaging Modernism, College Art Association, New York (peer reviewed) Jul. 2003 Post- (Modern and Postmodern), conference New Directions in the Humanities, University of the Aegean, Rhodes, Greece (peer reviewed) Feb. 2002 Writing and Rewriting Meier-Graefes Modern Art, Historians of German and Central European Art, College Art Association, Philadelphia (peer reviewed) Feb. 2002 Redressing the Decorative, Department of History in Art, University of Victoria, British Columbia (invited) Jan. 2001 Auf der Suche nach Farbe: August Macke and Paul Klee [In search of color, August Macke and Paul Klee], in conjunction with exhibition, Die Ordnung der Farbe. Paul Klee, August Macke und ihre Malerfreunde, Kunstmuseum Bern (invited; in German) Oct. 1998 Der dekorative Klee [The decorative Klee], symposium Kunst und Karriere Paul Klees, Kunstmuseum Bern (invited; in German) Feb. 1998 Abstraction as Other, College Art Association, Toronto (peer reviewed) Oct. 1996 Modernism and the Gendering of Paul Klee, Center for Advanced Study in the Visual Arts, National Gallery of Art, Washington, DC (invited) Feb. 1993 Forgotten Ties? The Lost Relationship between the Decorative and the Abstract, College Art Association, Seattle (peer reviewed) Teaching at 51app College First-Year Tutorials: Dada!, Creative Couples; Art in Fiction; The Aesthetics of Home (team-taught with Lee Running, Studio Art) Introduction to Art History Impressionism and Post-Impressionism Modern Art in Europe, 1900-1940 Berlin: Borders and Transgressions (team-taught with Daniel Reynolds, German) Art Since 1945 Surrealism Theory and Methods of Art History Exhibition Seminars: Repetition; German Expressionist Prints; Edward S. Curtis Special Topics Seminar: Twentieth-Century Art and Philosophy in Dialogue (team-taught with Alan Schrift, Philosophy) Senior Seminars: Avant-Garde Exhibitions; The Gesamtkunstwerk; Modernism and Postmodernism; Modern Art and the Market Significant Professional Service 2019-present Secretary,  HYPERLINK "http://hgscea.org" Historians of German, Scandinavian, and Central European Art 2019-present Field Editor, Theory and Historiography,  HYPERLINK "http://www.caareviews.org" caareviews 2015-2023 Chair, Art History, 51app College 2022-2024 Member, Scholarship Committee, 51app College 2018-2021, 2024 Member, Committee on Academic Standing, 51app College 2022 External Reviewer of Art History Department, New College, Florida 2022 External Reviewer for Art History Promotion case 2002-present Reviewer of submissions to Cambridge and Princeton University Presses, Art Bulletin, Criticism, differences, Konsthistorisk tidskrift, Women in German Yearbook, TaHiTi (Finnish art journal) 1997-2020 Phi Beta Kappa, Beta of Iowa (VP, 2015-16; President, 2016-17) 2015-2016 Title IX Committee, 51app College 2004-2006, 2014-2015 Chair, Department of Art and Art History, 51app College 2006-2008 Personnel Committee, 51app College 2000-2006, 2007-08 51app College Humanities Center Advisory Board 51app-in-Washington Advisory Committee 2001-03 Tutorial Committee, 51app College Gender and Womens Studies Concentration Committee (Chair, 2002-03) Honors and Awards 2023 Cantwell-Wegman Grant Humanities Center, 51app College 2015-16 Pedagogical Grant Digital Bridges for with Joyce Tsai, Univ. of Humanistic Inquiry, 51app Iowa and University of Iowa 1998-2006, 2008-12, Committee for Support of 51app College 2014-16 Faculty Scholarship Grants 2014-15 Pedagogical Project Grant Digital Bridges for Humanistic Inquiry, 2010-11 Academic Enterprise Grant 51app College 2006 Faculty Career Enhancement Mellon Foundation with Daniel Reynolds, German 2005 Hiett Prize in the Humanities Dallas Institute of finalist (one of thirty) Humanities and Culture 2004-05 Working Group Grant on The New Age Humanities Center, group member (one of ten) Brown University 2003 Millard Meiss Publication Grant College Art Association 2000-01 Harris Faculty Fellowship 51app College 2000-01 Getty Postdoctoral Fellowship Getty Grant Program first alternate 1997, 1998, 2000 Curriculum Development Grants, 51app College Gender and Womens Studies Spring 1999 Curriculum Development Grant, 51app College Mellon/Culpeper Steering Committee Spring 1999 Curriculum Development Grant, 51app College Multicultural Development Committee 1998-99 Rosenblum Grant for Interdepart- 51app College mental Curriculum Development with Alan Schrift, Philosophy 1994-97 David E. Finley Fellowship Center for Advanced Study in the Visual Arts, National Gallery of Art 1992-94 Art Department Research Grants Brown University 1986-87 University Fellowship Brown University 1986 Phi Beta Kappa and Phi Kappa Phi Univ. of So. California 1985-86 Mortar Board Univ. of So. California 1982-86 Trustee and Presidential Scholar Univ. of So. California Professional Memberships College Art Association (CAA) Historians of German, Scandinavian, and Central European Art (HGSCEA) International Society for the Study of Surrealism (ISSS) European Network of Avant-Garde and Modernism Studies (EAM) Phi Beta Kappa Mortar Board    *+,=uДyj[I7"h[h@C56CJOJQJaJ"h[hXy56CJOJQJaJh^Bhe;CJOJQJaJh[hR CJOJQJaJhCJOJQJaJh[hCJOJQJaJh[hRCJOJQJaJh[hfCJOJQJaJh[hCJOJQJaJh[h/CCJOJQJaJh[h@CCJOJQJaJh[h5CJOJQJaJh[hC'5CJOJQJaJ =u9 : ! U V  & F+gdVb ^`gdVb $dNgdVb$a$gd^B$a$gdVbgd^B  !gdVbgdVb ! ( / 5 7 8 9 : ? 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