A Space for Powerful and Thought-Provoking Art Experiences
The 51²è¹İapp College Museum of Art presents exhibitions of regional, national, and international artists throughout the year in the Faulconer Gallery, a 7,420 square feet of state-of-the-art exhibition space at the heart of the Bucksbaum Center for the Arts. Exhibitions in the Print and Drawing Study Room and Burling Gallery, located on the lower level of Burling Library, focus on objects in the 51²è¹İapp College Art Collection as well as objects directly related to 51²è¹İapp College classes during the spring and fall semesters. Click on the links below for exhibitions current, future, and past, as well as student-curated exhibitions resulting from Mentored Advanced Projects (MAPs) and the gallery's triennial Exhibition Seminar.
Currently on view
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May 30–Sept. 8, 2024
Talking to Mother Clay: Pueblo Pottery from the GCMoA Collection
Talking to Mother Clay features works of Pueblo pottery donated to the 51²è¹İapp College Museum of Art by Ann Reddan Rustebakke ’49, who collected pottery from many of the Pueblos in the Southwest while living in New Mexico for more than 40 years. The works in this exhibition feature birds, which Indigenous potters have looked to as inspiration for vessel shapes and painted designs since the beginning of Pueblo pottery traditions.Ìı
Image:ÌıUnknown artist Acoma/Haa’ku, Water Jar, ca. 1970-1979. Ceramic, 6 ½ x 8 in. Gift of Ann Reddan Rustebakke ’49. (2002.60.032)
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June 11 – Sept. 8, 2024
Ingrid Lilligren: Tactile Meditations
This exhibition features 18 projects by Ingrid Lilligren. Her art incorporates Braille text to explore social, cultural, and political blindness. Using this visual language can give sighted viewers the experience of being temporarily “othered.†Several works have words in Braille carved into or embossed onto the forms, and some use tiles or pegs to spell out the statement. Her subjects range from concepts about beauty to meditations on climate change. Poems by Debra Marquart, Distinguished Professor in Liberal Arts and Sciences at Iowa State University and outgoing Poet Laureate of Iowa, are used in three pieces.Ìı
Image: Ingrid Lilligren, Blue Dream, 2020. Ceramic, wood, ice, unfired clay, sheet metal, 64 x 45 x 30 in.
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Upcoming Exhibition
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Sept. 26 — Dec. 15, 2024
And Gladly Teach: The Museum as a Classroom
Each year, nearly 2,000 objects from the Museum’s ever-growing art collection are requested by professors and students for discussion, research, writing, art making, and exhibition projects. This exhibition features works of art, from ancient to contemporary, that continually enrich the learning experience for all of our audiences across campus and community.
This exhibition is presented in celebration of the 25th anniversary of the opening of 51²è¹İapp College's Bucksbaum Center for the Arts.
Past Exhibitions
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William Villalongo: Myths and Migrations
Over the past 20 years, William Villalongo has expressed in his work the absurdity, beauty, and vulnerability of black presence against the backdrop of race. The works become portals or navigational devices for thinking about the mystery within human experience through the poetics of history, myth, and satire. This exhibition will present more than fifty paintings, collages, and signature velour paper cut-outs by Villalongo, who was a 2021 recipient of the Rome Prize in the visual arts, awarded by the American Academy in Rome.
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April 18–May 20, 2024
BAX
The Bachelor of Art Exhibition presents work in the creative arts by third- and fourth-year 51²è¹İapp College students. With support from GCMoAÌıstaff, students manage many of the exhibition details, including the selection of a juror and the creation of an exhibition catalogue and website. The exhibition includes photographs, drawings, sculpture, paintings, video, installations, and works created digitally.ÌıThe 2024 juror isÌıLuther Davis ’93, master printer and printshop director of Powerhouse Arts, Brooklyn, New York.
Image: Installation view of BAX 2023
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Jan. 25 – May 20, 2024
not one without water
This exhibition, featuring works drawn from the 51²è¹İapp College Museum ofÌıArt’sÌıpermanent collection, takes its title from W.H.ÌıAuden’sÌıpoem,Ìı“First Things First,â€Ìıin which water, fittingly, is the last word.ÌıWater’sÌıparadoxical nature —Ìılife-sustaining and life-threatening, powerful and fragile, abundant and scarce, endangering and endangered —ÌımakesÌıit a rich backdrop (if not the primary subject) for artists applying their own creative forces to one of life’sÌımostÌıessentialÌıand inscrutableÌıelements.Ìı
Image:ÌıJohn F. Phillips, American|Canadian, (1945–2010), Distributing Water, Meredith March, Mississippi, 1966.
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Sept. 15–Dec. 10, 2023
Stephen Appleby-Barr: Correspondence
This will be the first museum exhibition in the United States of the work of London-based Canadian artist Stephen Appleby-Barr, whose drawing, painting, and printmaking bring together influences from the history of art and literature, his European travels, and the community of friends who gather around his London studio. This exhibition will provide context for the portrait, Nimco, the Dissertation, which was acquired for the Museum of Art collection in 2022.
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Sept. 15, 2023 – Jan. 14, 2024
Old Friends and Psychopomps
The defining quality of a psychopomp is that it bears the responsibility of guiding souls through a transition of life, often into death. Throughout many religions and spiritualities, they have been our conductors on journeys to worlds unknown. Inspired by the works and words of artist Stephen Appleby-Barr, this exhibition of prints from GCMoA’s collection presents various representations of these mystical, whimsical, and occasionally grim figures, introducing viewers to companions that, while otherworldly, can cast immense reflections of the world we know. Curated by Melena Johnson ’23, and made possible by support from the International Fine Print Dealers Association (IFPDA).
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Through August 26, 2023
Sustaining Vision: Recent Acquisitions for the Museum of Art Collection
51²è¹İapp College's art collection has been growing since the institution's early days, when an education grounded in the humanities was considered essential to an individual’s soundness of mind and being and also to the health, vibrance, and sustainability of society as a whole. Primary-source experience of works of art is still a vital and distinguishing feature of a 51²è¹İapp College education and continues to form the core mission of the 51²è¹İapp College Museum of Art.
The art collection continues to grow every year with purchases from endowed funds as well as substantial gifts from alumni and friends of the College. This summer we are proud to present works of art acquired for the collection since 2021.
Image: Oscar yi Hou. The siblings in my studio, aka: Gemini, Sagittarian, 2021. Oil on canvas, 54 3/8 x 35 5/8 in. (138.11 x 90.49 cm). Marie-Louise and Samuel R. Rosenthal Fund (2021.049).
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Apr. 21–May 22, 2023
BAX
BAX, the Bachelor of Art Exhibition, presents workÌıin the creative arts by third- and fourth-year 51²è¹İapp College students.
With support from GCMoA staff, students manage all the exhibition details: from the submission of proposals, to the selection of a juror, to the installation process, and the creation of an exhibition catalog and website. The exhibition includes photographs, drawings, sculpture, paintings, video, installations, and works created digitally.
Image: Works by Mordecai Gonzalez-Rodriguez ’23, Kelly Banfield ’24, Philomena Frasca ’25, and Josephine Blumenthal ’23.
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Feb. 3–May 6
Fragmentary Visions: 51²è¹İapp College’s Kelekian Collection
Nanette Rodney Kelekian, granddaughter of famed art dealer Dikran Kelekian, began gifting portions of her grandfather’s collection to 51²è¹İapp College in 1984. Since then, individual pieces have been included in exhibitions, but Fragmentary Visions is the most comprehensive display of 51²è¹İapp’s extensive Kelekian collection. The ceramics, manuscripts, and textiles on display are some of the oldest objects in the museum’s permanent collection, hailing from the Eastern Mediterranean, West Asia, and the greater Islamic world. This exhibition showcases fragments and everyday objects alongside art made for the elite, allowing the viewer to experience the spectrum of art collected by many museums, but rarely shown together. Fragmentary Visions is curated by Exhibition Seminar students Marina Busby ’24, David Gales ’23, Melena Johnson ’23, and Verda Karaoglu ’25, taught by Professor Eiren Shea of the Art History Department.
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Jan. 27–April 8, 2023
Devices, Tools, Objects, and Props: Recent work by Jeremy ChenÌı
This exhibition of sculptural artworks by Assistant Professor of Studio Art and Chair of American Studies Jeremy Chen invites contemplation on the manifold meanings and uses of objects or things, and our complex entanglement with materials. Consisting primarily of humble objects of pathos or humor, many works in the exhibition have a purpose or use with the human body.Ìı
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Sept. 27 – Dec. 10, 2022
Paper Trails: Modern Indian Works on Paper from the Gaur Collection
Within the context of modern and contemporary India, works on paper offered artists a way of cultivating transnational modernist expression while continuing to explore the potential of a medium that had deeper roots in older artistic traditions native to the subcontinent. This exhibition features watercolors, drawings, etchings, sketches, and lithographs by senior Indian modernists, born primarily before the 1950s, who came of age in the decades directly following Independence in 1947. These artists span the transition from colonial to postcolonial India, and each represents a unique engagement with what Rebecca Brown has described as a fundamental paradox facing this generation of artists: that of how to be both modern and Indian. These artists are not afraid to embrace both realism and abstraction, to explore complex metaphors, and to make political statements that directly engage India’s past, present, and future.
This exhibition, drawn from the collection of Umesh and Sunanda Gaur, is curated by Dr. Tamara Sears, professor of art and architectural history of South Asia, Department of Art History at Rutgers University.
Image: Arpita Singh, I could see London through clouds, 2007. Etching on paper, 32 7/8 x 27 ¾ in. Courtesy of the Gaur Collection.
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Sept. 27 — Dec. 10, 2022
Reverent Ornament: Art from the Islamic World
Comprising works of fine glassware, ceramics, metalwork, painting, weaponry, weaving, and much more, Reverent Ornament shares 45 timeless treasures from a region whose everyday life, history, and culture offer many parallels to our own. If it is true that peace begins through understanding, then this ambitious collection offers us a rare opportunity for artistic exchange — a living bridge between cultures.
Reverent Ornament: Art from the Islamic World was organized by the Huntington Museum of Art,Ìıand is toured by International Arts & Artists, Washington, DC.
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Sustaining Vision: Recent Gifts and Purchases for the Museum of Art Collection
While we install our fall exhibitions, we continue to show recent acquisitions by Damon Davis, Rashaad Newsome, Shimon Okshteyn, and William Villalongo.
The art collection of 51²è¹İapp College has been growing since the institution's early days. The uncertainty of the past three years has had little impact on this expanding diversity and growth. In the visual arts, as in the human creative impulses at their heart and in the heart of every 51²è¹İappian, the supply chain is not an issue.
When space allows, we are proud to present objects from our growing collection here in the museum. The five recent additions to the collection on view will help sustain and enrich the College’s teaching mission for generations of future 51²è¹İappians, nimble yet steadfast astride the changing times.
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June 28 — Aug. 27, 2022
Jewel Box Ribbons
This exhibition of the Jewel Box Quilters Guild features quilts of all sizes, techniques, colors, and patterns, designed and quilted by local guild members. This will be their first exhibition at the museum since a pattern has been set for all of us by the pandemic: isolation, stasis, discovery, emergence, renewal.
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Apr. 22 — May 23, 2022
BAX
BAX, the Bachelor of Art Exhibition presents workÌıin the creative arts by third- and fourth-year 51²è¹İapp College students.
With support from GCMoA staff, students manage all the exhibition details: from the submission of proposals, to the selection of a juror, to the installation process, and the creation of an exhibition catalog and website. The exhibition includes photographs, drawings, sculpture, paintings, video, installations, and works created digitally.
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Jan. 28 — Apr. 9, 2022
Digital Vision
In Digital Vision, six artists draw inspiration from electronics: the images on the screen and the screen itself; digital animations and the code behind them; even the inner guts of our machines to create works of art. These artists are adept as digital creators, but they are equally entranced by computers, projectors, and peripherals as things, as subjects, and as materials for their art. Nam June Paik might be the best ancestor for these 21st century creators.
Digital Vision builds on the work of Matthew Kluber, professor of art at 51²è¹İapp College, who brings together printing, painting, digital art, and sculpture to make wholly new art. In a studio practice that combines paint, 3D printers, and computer programming, Matthew finds a new interface between physical and virtual.
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Sept. 7 – Dec. 12, 2021
Queer/Dialogue
This exhibition presents eight artists — Louis Fratino, Jordan King, Jeremy Laing, Doron Langberg, Catherine Opie, Christina Quarles, Paul Mpagi Sepuya, and Devan Shimoyama — whose works enable dialogue at the intersections of identity expression: race, gender, individuality, and otherness, equality within differences, with a focus on the body as expressive terrain.ÌıThe artists represent distinct voices across a spectrum of media, reflecting diversity in identity expression where it intersects with contemporary political, social, and economic issues, always relevant but particularly charged at this moment.
Curated by Associate Director Daniel Strong and Guest Curator Greg Manuel.
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June 25–Aug. 15, 2021
Our Voice: Celebrating the Coretta Scott King Awards
The Coretta Scott King Illustrator Awards annually recognizes outstanding African American artists of children’s books who demonstrate an appreciation of African American culture and universal human values.ÌıOur Voice is the first retrospective of all winners and honorees since the establishment of the award in 1974. This exhibition is organized by the National Center for Children's Illustrated Literature, Abilene, Texas. Special thanks to Nick Glass and TeachingBooks.net.
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Bachelor of Arts Exhibition
BAX 2021
BAX features works in the creative arts by third- and fourth-year 51²è¹İapp College students.
With support from GCMoA staff, students manage all the exhibition details: from the submission of proposals to the selection of a juror to the installation process and creation of an exhibition website. The exhibition includes photographs, drawings, sculpture, paintings, video, installations, and works created digitally. This year at least half of the work by the 30 student artists are available only on the exhibition website since many of the artists have done their creative work while working remotely around the U.S. and the world. During the pandemic, a team of students has taken the lead in organizing BAX for this year. They include: Sophie Doddimeade ’21, Clara Dingle ’22, Tess Kerkhof ’21, Tommy (Guhn) Lee ’22, Caroline Shea ’22, and Hannah Taylor ’21.
The juror this year is J.M. Culver of Minnesota, who awards Best in Show and other prizes. Additional prizes are awarded by the Office of Student Affairs, the Student Government Association, and the Studio Art Department.
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Face Forward
How many faces (besides your ownÌıin the mirror)Ìıhave you laid eyes on in the past year? It’s time to look again, and so we're pleased to present Face Forward, an opportunity to present the diversity of portraiture and figurative works we have in our collection, as well as feature new acquisitions that you have not seen on campus before.Ìı
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Face Forward
Introduction to the Exhibition
Daniel Strong, associate director and curator of exhibitions, discusses works of art featured in Face Forward.
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Fall 2020 Virtual Exhibition
Let Yourself Continue
August 2020ÌımarksÌıthe centennial of the ratification of the 19th Amendment to the United States Constitution.
In commemoration of this event, the 51²è¹İapp College Museum of Art is presenting work by more than 50 women artists represented in the Museum of Art’s collection.
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April 17–Aug. 2, 2020
Nature, Made
What happens when an artist doesn’t just represent the natural world, but makes it anew, through a creative lens?
Five alumni artists work with animals, plants, and environments, crafting them into personal expression and commenting on the human impulse to alter the world around us. The exhibition, curated by Lesley Wright, director of the Museum, will include painting, printmaking, sculpture and drawing by artists Fay Stanford ’72, Pamela Crockett ’76, Aaron Rothman ’96, Regan Golden ’00, and John Martin Bell ’08.