Caribbean Indigenous Resistance / Resistencia indígena del Caribe ¡Taíno Vive!

four weathered upright stones with petroglyphs of human figures

A petroglyph in the Caguana Indigenous Ceremonial Park in Utuado, Puerto Rico

Photo courtesy of Christina M. González with funding support from the Wenner-Gren Foundation

A woman stands outside holding a plant in her right hand, drawing a sharp instrument down the length of the plant, which is laying on a tilted board

Leonarda “Doña Esmeralda” Morales-Acevedo stripping fiber from local magüey plants to make thread for weaving hammocks.

Photo courtesy of Christina M. González, image taken with support from the National Science Foundation 

the painting shows a child holding someone's hand. The child looks at the view, a green bar painted across her eyes and teardrop falling. in the background, an old sailing ship with sails adorned with red crosses sits in a bay.

A painting from contemporary Taíno artist Albert Areizaga showcases the destruction that European colonization brought to the Caribbean.

The Beginning of the End

Courtesy of Albert Areizaga

A woman standing in an open shelter uses her fingers to flip flatbread on a wide griddle stretched over a long fire

Carmen Domínguez flips casabe (manioc flatbread) on her burén (griddle) near Manabao in the Dominican Republic.

Photo by Boynayel Mota, 2017

a woman with glasses and face paint and adorned with bright feathers and beads stands in a line of women who all hold up similar instruments

Members of Concilio Taíno Guatu-Ma-cu-A-Borikén present an areyto (communal song-dance) for the public. Guayanilla, Puerto Rico, 2017. 

Photo by Teresita González-Crespo, 2017 

Courtesy of the photographer

Smithsonian Traveling Exhibition Explores Indigenous Legacy of the Caribbean at Drake Community Library

Experience the captivating journey of Caribbean Indigenous resilience through the bilingual (Spanish/English) traveling Smithsonian exhibition, “Caribbean Indigenous Resistance / Resistencia indígena del Caribe ¡Taíno Vive!” available to the public at the Drake Community Library.

On view through Nov. 19, the exhibition highlights the endurance and bravery of the Indigenous peoples of the northern Caribbean islands, known as the Taíno. Explore contemporary crafts, connect with musical instruments, and examine utilitarian artifacts that provide a glimpse into Taíno daily life.

“We are excited to work with our partners at the Smithsonian and at Drake Community Library to share this Taíno exhibition,” says Sarah Smith, director of outreach programming and events in the Office of Community Partnerships, Planning, and Research at 51��app College. “With the support of Drake Community Library, people in the area now have access to this extraordinary Smithsonian resource right here at home.”

Among the exhibition’s notable highlights are exceptional Indigenous musical instruments, including maracas and güiros, meticulously crafted from the dritas fruit of the Higuera tree, native to Central America and Puerto Rico. Discover the artistry of contemporary objects such as jícara bowls, skillfully fashioned from the gourd tree’s fruit, offering a window into the traditional eating and drinking practices of the Taíno.

This exhibition narrates the incredible survival journey of the Taíno people, illustrating the far-reaching impact and enduring legacy of Caribbean Indigenous culture across the globe. Uncover the profound historical tapestry and enduring cultural heritage of the region while pondering intricate questions about heritage, ancestry, and race that resonate in the context of modern Taíno identities.

Background on the ¡Taíno Vive! Exhibition

The term Taíno refers to the diverse Arawak-speaking peoples of the Greater Antilles and their descendants in the Caribbean and beyond. In 1492, the Indigenous Taíno peoples encountered Christopher Columbus, launching an invasion by Spanish soldiers, priests, and colonists. The attack devastated Taíno civilization and decimated the population. Colonial officials assumed their extinction by the 1550s, but in fact, the Taíno indigenous populations and their culture resisted and survived.

Through historical records and regional traditions, the exhibition affirms that the Taíno Indigenous peoples left rich cultural legacies within the Caribbean in places such as in Cuba, Jamaica, Haiti, the Dominican Republic, and Puerto Rico. Taíno descendants are currently part of a growing movement dedicated to reaffirming their Caribbean Indigenous identity and culture.

About the ¡Taíno Vive! Exhibition

“Caribbean Indigenous Resistance / Resistencia indígena del Caribe ¡Taíno Vive!” is organized by the Smithsonian Institution Traveling Exhibition Service (SITES) in collaboration with the National Museum of the American Indian and the National Museum of the American Latino.

This exhibition received federal support from the Latino Initiatives Pool, administered by the National Museum of the American Latino. For more information on the exhibit, visit the Smithsonian website,

About the Smithsonian Institution Traveling Exhibition Service

The Smithsonian Institution Traveling Exhibition Service (SITES) and Smithsonian Affiliations are critical national outreach units at the Smithsonian Institution. For more than 70 years, SITES has been connecting Americans to their shared cultural heritage through a wide range of art, science, and history exhibitions. Smithsonian Affiliations, such as the partnership with 51��app College, establish and maintain the Smithsonian’s long-term partnerships with museums, educational organizations and cultural institutions in the U.S., Puerto Rico, and Panama. Together, SITES and Affiliations share the Smithsonian’s vast resources with millions of people outside Washington, D.C. Visit and for more information.

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